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©2006-2009 ~Kalimero2
:iconkalimero2:

Artist's Comments

hope you like it...
tutorial en français, traduction ci dessous
to let me know if there are typing errors and English thank you
For this tutorial, each stage will be only intended for this photograph, because the colors are appropriate only for this one. Each photography color will have are clean applicatif Infrared under Photoshop. This tutorial is only only used to prove to you that it is possible to make IR without having the filter adequate (which is not so expensive only that finally) or of film Infrared black and white (which is expensive on the other hand) for the silver one. I preferred to apply my analyses, my research on the Web (all identical my some give you information in sometimes, but they did not apply for all the photographs) on a work color because black and white the Infrared mode too is not sails about it in the numerical imagery. numerical photography forgiveness.

1 - to duplicate the basic copy, to apply an adjustment ' négatif' then to put it in mode ' color 100% '.
2 and 3 - then to add a copy of mixing adjustment ' of ??'. - _ Red: -50; 200; -50. - _ Green: leave it just as it is. - _ Blue: -50; 200; -50. To apply to it in mode ' specific light 100% '. To then create a second copy of mixing adjustment ' of ??' with same the options, but this time in mode ' filtered light 100% '.
4 - To create a new empty copy, and to apply a vectorial mask. Fill it with black and apply to him a mode ' color 42% '.
5 - To duplicate the basic copy now (photo of origin), and to apply a mode ' Incrustration (??) 42% '. To start again this stage ' 5 ' but to apply this time a mode ' To clear up 82% '.
6 - To create a new mask of adjustment by applying the last suitable adjustments (will find them to you surely yourself) and to put it in mode ' superposition (??) 100% '.
7 and 8 - In these 2 stages (final since you obtained the white of the flowers which the infra-red filter makes it possible you to obtain with a filter IR on your numerical lens, but the result is different at the time of a real catch from sight and with the passage in photoshop: image rough), you will obscure the sky which is really too pale, more especially as the catch of sight infra-red obscured blue of the sky. For that, to create a new copy empties and apply to him a vectorial mask. Select this vectorial mask and now apply a black linear range > transparent the top downwards. To validate, and put to it in mode ' incrustration (??) 57% '. Make at least 3 copies of this type in order to obscure with more the sky and emphasize the white of the clouds, always in mode ' incrustration (??) 57% '. But with you to judge according to your taste but made attention not not leave reality too much. On this photograph, bottom was a little too clear compared to the sky which I had obscured, I thus applied the same vectorial copy in bottom, always with a linear range in order to give a uniform result. Now (according to your visual taste), to change the framework of photography to emphasize to the maximum the work which you have just made. There is no more which has to record, and with poster on da. If your technique is nearly perfect, do not hesitate especially to make believe in everyone which you have a new numerical apparatus with the option IR, but do not forget to compare your work with true catches of sights infra-red, if not you would be taxed with forger, but the trade of forger is lost, damage, because I find that it is gratifying. Another information: You can record your work on photoshop by opening the window of scripts then while clicking on ' beginning new a script'. Extremely useful for those which work with the feeling at the beginning. You will be able to thus create a script for each type of photography.

image : copyright ~SixStringer

you can see some more translates in deviants comments :) thanks a lot for them

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:iconnehas91:
kool

--
Life is an echo; all comes back, the good, the bad, the false, and the true. So, give the world the best you have & the best will come back to you.
:iconkalimero2:
[link]
dans celui-ci je l'appel simili.
les autres travaux sont identiques.
je peux intituler tout ces travaux simili
simili infrared par exemple.
question nm, je ne suis pas très loin...trop lumineux, pas assez rose.
peut-être en choisissant un jaune plus foncé...
[link]
[link]
non? si?
c'est plausible je pense..
en tout cas merci du compliment, c'était mérité ;)

--
The boredom centred at the time, on the role of time, the fear of time, the revelation of time, the consciousness of time. Those who are not conscious of time do not miss. It is not of the time which passes, it is of the time which does not pass.
:iconkalimero2:
:hug:

--
The boredom centred at the time, on the role of time, the fear of time, the revelation of time, the consciousness of time. Those who are not conscious of time do not miss. It is not of the time which passes, it is of the time which does not pass.
:iconkalimero2:
do you?
i use apophysis since i saw your work. very interesting software.

--
The boredom centred at the time, on the role of time, the fear of time, the revelation of time, the consciousness of time. Those who are not conscious of time do not miss. It is not of the time which passes, it is of the time which does not pass.
:iconurus28:
Sérieusement pour la plausible... Bah on repassera car la couleur n'existe pas en infrarouge...
Par contre pour ce qui est de donner de la tronche à une image c'est un tout autre problème et moi je trouve ça particulièrement canon =p
En particulier le cavalier, moi j'aime bien :D

--
Le dessin c'est la base.... :jarklarge:
Member of : *francophones *france =Parisiens =europeans
:iconkalimero2:
décidemment...
quelle couleur?

--
The boredom centred at the time, on the role of time, the fear of time, the revelation of time, the consciousness of time. Those who are not conscious of time do not miss. It is not of the time which passes, it is of the time which does not pass.
:iconurus28:
TOUTES les couleurs =p
Les couleurs n'existent tout simplement pas en IR, que ce soit le bleu, le jaune, le rose ou le vert caca d'oie.
Si on veut faire du vrai IR il faut faire du noir et blanc...
Mais à mon avis vaut mieux que tu continues à jouer avec les couleurs, le résultat sera plus intéressant...

--
Le dessin c'est la base.... :jarklarge:
Member of : *francophones *france =Parisiens =europeans
:iconkalimero2:
et c'est vrai que de passer l'image sous photoshop donne un sens à l'image.(je trouve) plus que le noir et blanc our ce type de photo et les sujet utilisés.c'est comme.. ché pas moi, composer? non?
mais quelle couleurs ? le jaune quei est ici sur la photo?

--
The boredom centred at the time, on the role of time, the fear of time, the revelation of time, the consciousness of time. Those who are not conscious of time do not miss. It is not of the time which passes, it is of the time which does not pass.
:iconurus28:
Je dirai que les couleurs son ensuite en fonction du sujet, tu peux te pemettre de faire des choses un peu décalées avec de fausses couleurs, le tout c'est de ne pas en abuser... Pour le jaune ça marche toujours bien car ça donne un aspect un veilli... Maintenant moi j'aime bien les teintes violettes :rofl:

--
Le dessin c'est la base.... :jarklarge:
Member of : *francophones *france =Parisiens =europeans

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March 21, 2006
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